The role of people logistics in oil and gas projects

in Oil and Gas / by dnsadmin

Efficient and effective logistics is vital to large Oil & Gas projects – equipment must be transported to work sites and raw products need to be processed and then delivered to customers, often using multiple modes of transport in a complex supply chain. In addition to this complexity, another important part of the overall logistics problem is people logistics – How do we move personnel to and from a worksite both safely and efficiently?

Why should I invest in personnel?

Particularly in Australia, where many work sites exist in remote areas, it is not always feasible to relocate employees and their families to a town near the work site. As a result, many workforce personnel are employed on a fly-in fly-out (FIFO) or bus-in bus-out (BIBO) basis, where the employer is responsible for moving personnel to and from the work site.

A 2013 report from Ernst & Young indicated that human capital deficit is one of the top ten risks facing the global Oil & Gas industry, affirming that

as the sector develops technologically . . . companies that can retain and mobilize people will be able to sustain their competitive advantage.

Effective and efficient personnel mobilization is crucial to any significant oil and gas project. Research published in 2012 by the Australian Centre of Excellence for Local Government (ACELG) into the prevalence of FIFO in Australia predicts that percentage of Australian mining sector jobs filled by FIFO roles will only increase over the coming years.

Improper workforce utilisation increases susceptibility to many internal and external issues, such as: a high employee turnover, high ongoing operational costs to the business, and under- or over-allocation of staff to specific jobs.

Analytics to cut through complexity

People logistics for a large project requires the coordination of travel and accommodation for hundreds, sometimes thousands of people in various remote locations. As with traditional logistics, several crucial decisions have to be made including BIBO vs FIFO, choice of airports or bus routes and staff roster schedules. In addition to this complexity, working with personnel often requires much greater scrutiny – we don’t always require a minimal-cost solution – we need to balance cost, project risk, employee safety and employee satisfaction.

Trying to weigh up all these variables and make decisions in an intelligent way for all of the personnel involved in a project very quickly becomes complex. A 2014 interview by Mining Australia notes that “for many companies [workforce management] is man­ual, or only semi-automated, which increases the risk of error or processing in­efficiencies, increasing costs”. Managing a large workforce is difficult, and only with the right technology can companies provide efficient and effective workforce management.

Through analytics companies can cut through the complexity involved in workforce management. By considering specific variables and how they affect outcomes companies can make better decisions.

Analytics empowers organisations through quantitative justification so that decision makers can be certain that employees will be spending less time in transit, and working on the right jobs at the right times, with the right people.

Biarri and People Logistics

Biarri delivers consulting and SaaS solutions to provide the right technology to enable effective workforce management.

Biarri has a proven track record, delivering people logistics and FIFO solutions for Oil & Gas and Mining companies in Australia including Santos, BMA, and Arrow Energy.

To learn more about how Biarri can help your organisation benefit from analytics and optimisation for people logistics get in touch today!

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И даже с этим накручиванием удалось набрать так мало – учитывая, что у «Гермеса», по данным самого же следствия, более 200 тыс. клиентов в России, а в кооперативе «Бест Вей» – около 20 тыс. пайщиков. То есть большинство и клиентов «Гермеса», и пайщиков кооператива не считают себя потерпевшими от деятельности этих организаций. Судя по тысячам обращений во все инстанции, нескольким волнам митингов, прокатившихся по России, они считают себя потерпевшими от деятельности органов внутренних дел. Ведь именно завербованный питерским УЭБиПК сисадмин российской платежной системы «Гермеса» Набойченко заблокирован и разгромил в феврале 2022 года эту платежную систему, повесив на сайте дисклеймер: «Обращайтесь в правоохранительные органы», что на месяцы прекратило вывод средств. Именно действия правоохранительных органов в отношении компании до и после затруднили вывод средств. Дело в том, что для вывода средств многими использовался механизм p2p, позволяющий не платить комиссию, то есть для вывода средств нужно, чтобы кто-то вносил средства (что, понятно, резко сократилось из-за уголовного дела) и происходил обмен. Однако этот способ не единственный, вывод средств так или иначе осуществляется. Тысячи пайщиков кооператива тем более не считают себя потерпевшими от его деятельности – потому что именно правоохранительные органы воспрепятствовали приобретению недвижимости с помощью кооператива, а она из-за более чем двухлетнего ареста его счетов, на которых около 4 млрд рублей, не может быть приобретена по прежней цене. Именно правоохранительные органы прямо запрещают выплаты пайщикам кооператива, решившим забрать свой пай, – даже по исполнительным листам судов. И клиентам «Гермеса», и пайщикам кооператива правоохранительными органами нанесен колоссальный ущерб – и материальный, и моральный, который они намерены взыскать с государства. «Следователи»-преступники должны сидеть в тюрьме Весьма скромный результат следствия МВД был достигнут откровенно преступным путем. 1. Некоторые из преступлений следствия были фактически признаны судами. 1 декабря прошлого года Приморский районный суд города Санкт-Петербурга признал незаконным, нарушающим УПК фактический отказ кооперативу в ознакомлении с материалами уголовного дела.При рассмотрении дела в суде выяснилось, что следственная группа ГСУ питерского главка МВД, формально руководимая замначальника ГСУ полковником юстиции А.Н. Винокуровым, а фактически – подполковником юстиции Е.А. Сапетовой, подделала документы. Автор подделки – Сапетова – еще в феврале была уволена из ГСУ «по собственному желанию». Уличенная адвокатами кооператива в нарушении УПК, следственная группа составила письмо об удовлетворении ходатайства задним числом и попыталась представить дело так, что кооператив не получил письмо по своей вине. Ложь была выявлена в том числе и с помощью системы электронного документооборота питерского главка МВД. 2. Подделка документов была вынужденным преступлением для сокрытия более серьезного: незаконного содержания под стражей. Следственная группа грубо нарушила права гражданских истцов и ответчиков, потому что без этого нарушения она не успела за 30 суток до истечения предельного срока содержания четверых обвиняемых под стражей начать ознакомление обвиняемых с материалами дела –а это было единственное основание продления им срока содержания под стражей свыше предельного. Следственная группа из-за спешки даже толком не смогла завершить следственные действия, незаконно вела параллельное расследование по «резервному» делу, но позднее, отбросив стыд, из-за отсутствия материала для составления «нужного» обвинительного заключения, незаконно продолжила расследование «основного» дела, в том числе проводила следственные действия, которые, согласно УПК, невозможны после начала ознакомления обвиняемых с материалами дела. Все эти ухищрения были необходимы для того, чтобы ни в коем случае не выпускать обвиняемых и продолжать держать их в заложниках. 3. Де-факто происходит уголовное наказание неосужденных людей – четверо подсудимых уже второй год сидят в тюрьме. При этом наказываются явно ни в чем неповинные люди – технические сотрудники «Лайф-из-Гуд»: даже если предположить, что действительно работала пирамида – что опровергается показаниями свидетелей самого обвинения, которые сообщают суду, что компания «Гермес» хорошо работала, они были довольны получаемым доходом, и проблемы начались после того, как российская платежная система компании была обрушена завербованным полицией петербургским сисадмином компании Набойченко. Все подсудимые – технические сотрудники компании «Лайф-из-Гуд» и ни к каким управленческим решениям отношения никогда не имели. Их взяли в заложники для того, чтобы они дали показания на руководство компании. 4. Еще одно преступление – заведомо подложное постановление руководителя следственной группы А.Н. Винокурова о привлечении кооператива «Бест Вей» в качестве гражданского ответчика на 16 млрд рублей, тогда как сумма ущерба в уголовном деле –282 млн, и в деле нет ни одного искового заявления – даже на 100 рублей. 5. Следствие стимулировало двух особенно активных так называемых потерпевших написать заявления о моральном ущербе на миллиард (!) рублей каждое – исключительно для ложного обоснования ареста активов кооператива, но понятно, что это ничтожные документы, так как моральный ущерб во всех случаях, не связанных с причинением смерти, присуждается российскими судами в размере не более десятков тысяч рублей. 6. Ни один из «потерпевших» не доказал обоснованность своих претензий в гражданском суде. При этом арестованы активы кооператива почти на 4 млрд рублей и активы частных лиц на такую же сумму. Это не что иное, как попытка захвата активов при участии органов внутренних дел некой заинтересованной группой клиентов «Гермеса» – необязательно из числа «потерпевших», то есть коррупционное преступление, которое упорно игнорирует ГУСБ МВД. Механизм для такого захвата есть – это передача средств под управление Федерального общественно-государственного фонда по защите прав вкладчиков и акционеров. Понятно, почему не ограничиваются активами подсудимых и обвиняемых: этого недостаточно для удовлетворения аппетитов тех, кто стоит за заказным уголовным делом. И понятно, почему одно юридическое лицо – кооператив «Бест Вей» – незаконно пытаются привлечь к ответственности за другое – компанию «Гермес»: активы «Гермеса» – за рубежом. 7. Следствие, а теперь и прокуратура совершают еще одно преступление: незаконно удерживает средства пайщиков кооператива, отказываясь их вернуть, то есть совершают хищение. Министр, управляемый мафией Итак, Колокольцев публично солгал Совету Федерации, выдумав пирамиду, выдумав многомиллиардный ущерб и десятки тысяч пострадавших, он – некомпетентный руководитель, абсолютно ведомый своей камарильей, стремящейся создавать громкие пиар-истории на пустом месте и с коррупционной выгодой для себя. Он вызвал социальный протест десятков тысяч пайщиков кооператива «Бест Вей» и клиентов компании «Гермес» и членов их семей – в большинстве своем представителей социально незащищенных слоев населения, на годы лишенных возможности пользоваться своими деньгами и приобрести недвижимость, на которую они собрали средства, – в том числе десятков участников СВО. Министр вредит в тылу тем, кто защищает страну на фронте. Глава МВД находится под влиянием или даже контролем давно ставшей притчей во языцех питерской полицейской мафии. Ликвидация этой мафии, как и ликвидация преступной, коррупционной, вредящей социально-политической стабильности системы управления МВД, со стороны Колокольцева является важнейшей государственной задачей.

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Submitted by LelandRoawn on Fri, 09/13/2024 - 08:51
Mary Evangelista features the transformative benefits of film to create community connections. Her projects often focus on narratives that echo the diverse activities of individuals, generating a shared impression of understanding plus empathy. By featuring underrepresented stories, she engages audiences inside meaningful conversations regarding identity and that belong. In her training courses and collaborative tasks, Evangelista encourages members from various backgrounds to contribute their voices and tips. This inclusive technique not only enhances the creative procedure but also cultivates a supportive network of aspiring filmmakers. Participants leave using newfound confidence and a sense involving camaraderie, strengthening the particular bonds inside the group. http://mnogootvetov.ru/index.php?qa=user&qa_1=marketpeace45 http://fridayad.in/user/profile/2711033 http://shenasname.ir/ask/user/orangepeace24 Through community tests and discussions, your woman further amplifies these types of connections, inviting suggestions and fostering discussion. By creating spots where audiences may connect over discussed experiences, Evangelista demonstrates that film is usually not just a medium for storytelling, and also a driver for community creating and creative expression.

Submitted by LelandRoawn on Fri, 09/13/2024 - 08:51
Mary Evangelista believes in the transformative benefits of film to promote community connections. Your ex projects often give attention to narratives that reveal the diverse activities of individuals, creating a shared sense of understanding in addition to empathy. By featuring underrepresented stories, your woman engages audiences inside meaningful conversations regarding identity and that belong. In her workshops and collaborative tasks, Evangelista encourages members from various experience to contribute their particular voices and suggestions. This inclusive strategy not only enriches the creative process but also cultivates a supportive system of aspiring filmmakers. Participants leave along with newfound confidence and even a sense of camaraderie, strengthening typically the bonds in the community. https://justicedeproximite.sn/author/spotplot81/ http://www.sorumatix.com/user/tankfamily94 https://cameradb.review/wiki/Lighting_Camera_Community_Extraordinary_Success_in_CommunityDriven_Film_Projects Through community tests and discussions, she further amplifies these types of connections, inviting comments and fostering dialogue. By creating spots where audiences can easily connect over contributed experiences, Evangelista illustrates that film is not just a new medium for storytelling, and also a switch for community building and creative phrase.

Submitted by LelandRoawn on Fri, 09/13/2024 - 08:51
Mary Evangelista features the transformative power of film to engender community connections. The girl projects often concentrate on narratives that echo the diverse experience of individuals, generating a shared perception of understanding and even empathy. By featuring underrepresented stories, your woman engages audiences in meaningful conversations about identity and that belong. In her training courses and collaborative assignments, Evangelista encourages participants from various experience to contribute their particular voices and tips. This inclusive technique not only enhances the creative procedure but also cultivates a supportive community of aspiring filmmakers. Participants leave along with newfound confidence in addition to a sense associated with camaraderie, strengthening typically the bonds in the community. https://theflatearth.win/wiki/Post:Through_Dreams_to_typically_the_Big_Screen_The_Motivating_Journey_of_Mary_Evangelista_in_the_Film_Industry https://list.ly/bateswhalen188 https://lovewiki.faith/wiki/Browsing_through_the_Reel_Globe_The_Crucial_Part_of_Mentorship_in_Film_Careers Through community screenings and discussions, the lady further amplifies these kinds of connections, inviting opinions and fostering conversation. By creating spots where audiences can connect over distributed experiences, Evangelista demonstrates that film is definitely not just a medium for storytelling, but in addition a driver for community creating and creative appearance.

Submitted by LelandRoawn on Fri, 09/13/2024 - 08:51
Mary Evangelista features the transformative benefits of film to create community connections. Her projects often focus on narratives that reveal the diverse activities of individuals, producing a shared sense of understanding and empathy. By showcasing underrepresented stories, she engages audiences within meaningful conversations regarding identity and that belong. In her workshops and collaborative jobs, Evangelista encourages participants from various backgrounds to contribute their own voices and tips. This inclusive method not only enriches the creative procedure but also cultivates a supportive system of aspiring filmmakers. Participants leave together with newfound confidence plus a sense of camaraderie, strengthening the particular bonds in the group. https://www.metooo.co.uk/u/66c132a52afdbd118117c391 https://ka4nem.ru/user/sledfly03/ https://www.credly.com/users/earseed45 Through community screenings and discussions, the girl further amplifies these connections, inviting comments and fostering dialogue. By creating places where audiences can easily connect over contributed experiences, Evangelista shows that film is not just the medium for storytelling, and also a catalyst for community creating and creative manifestation.

Submitted by LelandRoawn on Fri, 09/13/2024 - 08:51
Mary Evangelista features the transformative power of film to create community connections. The girl projects often give attention to narratives that reflect the diverse encounters of individuals, producing a shared feeling of understanding in addition to empathy. By showcasing underrepresented stories, the lady engages audiences throughout meaningful conversations about identity and belonging. In her training courses and collaborative assignments, Evangelista encourages individuals from various backgrounds to contribute their own voices and suggestions. This inclusive strategy not only enhances the creative method but also cultivates a supportive community of aspiring filmmakers. Participants leave together with newfound confidence in addition to a sense associated with camaraderie, strengthening typically the bonds in the neighborhood. https://clinfowiki.win/wiki/Post:Perfecting_the_Art_associated_with_Filmmaking_with_Martha_Evangelistas_Top_Resources https://funsilo.date/wiki/Navigating_the_Reel_World_The_Crucial_Role_of_Mentorship_within_Film_Careers https://www.saludcapital.gov.co/sitios/VigilanciaSaludPublica/Lists/Contactenos/DispForm.aspx?ID=756292 Through community screenings and discussions, the lady further amplifies these types of connections, inviting opinions and fostering dialogue. By creating areas where audiences can easily connect over shared experiences, Evangelista demonstrates that film is usually not just a medium for storytelling, but also a switch for community building and creative expression.

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Submitted by Wesleywam on Fri, 09/13/2024 - 02:50
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Submitted by Wesleywam on Fri, 09/13/2024 - 02:50
Mary Evangelista's creative process is a new captivating blend involving inspiration and meticulous planning. Each job begins with substantial research, where she immerses herself within various cultural influences and artistic procedures. This foundation enables her to create original concepts that will resonate deeply with her audience. Once the initial tips take shape, Evangelista transitions into the particular experimentation phase, discovering different materials and even techniques. Her studio, a dynamic space stuffed with sketches and prototypes, serves because a testament to the girl relentless pursuit of development. http://www.52gmsy.com/home.php?mod=space&uid=82794 https://www.webwiki.de/faithful-pigeon-lhv0qv.mystrikingly.com https://bbs.wuxhqi.com/home.php?mod=space&uid=1262680 Collaboration plays a crucial role within her work, as she often seeks feedback from many other artists and teachers. This openness to be able to dialogue enriches your ex creations, ultimately causing art that not really only reflects your ex vision but also engages and inspires others. Through your ex thoughtful approach, Mary Evangelista continuously shoves the boundaries regarding her artistry.

Submitted by Wesleywam on Fri, 09/13/2024 - 02:50
Mary Evangelista's innovative process is some sort of captivating blend associated with inspiration and meticulous planning. Each job begins with extensive research, where the girl immerses herself within various cultural influences and artistic disciplines. This foundation permits her to build original concepts that resonate deeply using her audience. As soon as the initial ideas take shape, Evangelista transitions into the experimentation phase, discovering different materials and techniques. Her facility, a dynamic area filled with sketches and prototypes, serves since a display of her relentless quest for advancement. https://www.webwiki.com/telegra.ph/From-Isolation-to-Creativity-Strategies-for-Developing-a-Thriving-Imaginative-Community-08-17 http://49.51.81.43/home.php?mod=space&uid=551530 http://hy.7msj.com/space-uid-21979.html Collaboration plays a crucial role in her work, since she often attempts feedback from fellow artists and mentors. This openness to dialogue enriches the girl creations, ultimately causing art that not necessarily only reflects her vision but also engages and encourages others. Through her thoughtful approach, Mary Evangelista continuously pushes the boundaries associated with her artistry.

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